เข้าสู่ระบบ / สมัครสมาชิก
ข้อมูลชุดเดียวกันจะใช้ในลิสต์ โปรไฟล์ และกิจกรรมชุมชน
เปิดรายการของฉันทั้งหมด »Shinichi Chiaki is a first class musician whose dream is to play among the elites in Europe. Coming from a distinguished family, he is an infamous perfectionist—not only is he highly critical of himself, but of others as well. The only thing stopping Shinichi from leaving for Europe is his fear of flying. As a result, he's grounded in Japan. During his fourth year at Japan's top music university, Shinichi happens to meet Megumi Noda or, as she refers to herself, Nodame. On the surface, she seems to be an unkempt girl with no direction in life. However, when Shinichi hears Nodame play the piano for the first time, he is in awe of the kind of music she creates. Nevertheless, Shinichi is dismayed to discover that Nodame is his neighbor, and worse, she ends up falling head over heels in love with him. [Written by MAL Rewrite]
Popular piano student Shinichi Chiaki has almost given up his dream of becoming a conductor because his international career prospects are crippled by his fear of flying. His despair affects his playing, and he is transferred to a different teacher, Hajime Tanioka, who specializes in failing students. Tanioka introduces him to eccentric fellow student, Megumi "Nodame" Noda, and assigns them a Mozart sonata for two pianos. Chiaki quickly learns that while Nodame is capable of playing in a beautiful cantabile style, she can be sloppy and is a poor sight reader, preferring to learn by listening. After the two discover they are neighbors, Chiaki learns she is also very messy, and to his irritation finds himself cleaning her apartment and cooking her dinner. As they practice, he realizes she performs better when allowed to interpret loosely, and her joy in music when they perform for Tanioka inspires him to resume pursuing becoming a conductor. To his dismay, however, Nodame has fallen in love with him.
After Chiaki quits as violinist Ryutaro Mine's piano accompanist for his juried exam, Mine is on the verge of quitting classical music for rock music using an electric violin. When he meets Nodame by chance, he asks her to be his accompanist. While he finds their playing together exhilarating, Nodame feels something is off, and asks Chiaki's advice. He points out that Mine is a strong soloist but does not pay attention to other players. Armed with this, Nodame insists that she and Mine practice more rigorously. Meanwhile, Nodame takes Mine's advice and tries to attract Chiaki's attention by dressing sexily. However, Chiaki is horrified by her excessive makeup, and Nodame catches a cold after wearing a slinky dress in winter. Chiaki substitutes as Mine's accompanist, and plays to match Mine's style. Mine passes his exam and quits his rock band, having decided to commit to classical music.
Timpanist Masumi Okuyama, an admirer of Chiaki, is jealous of Nodame's relationship with him and begins tormenting her with pranks. Mine suggests a contest: who can get a date with Chiaki on Christmas Eve. Masumi attempts to impress Chiaki during orchestra practice but is thrown out for showing off. Nodame asks Chiaki out while he is distracted composing music, and he later denies saying yes. Nodame suggests in consolation that she, Masumi, and Mine play together. Meanwhile, Chiaki finally remembers having said yes to Nodame. Feeling honor-bound to at least give her a proper refusal, he finds her, Masumi, and Mine practicing a jazz arrangement of his music, based on Nodame's hearing it once. He joins their ensemble, and forces them to rehearse late on Christmas Eve.
A foreigner visits Chiaki's school and becomes friends with Nodame. Chiaki refuses to let him into his house because of his perverted behavior. It turns out the foreigner is Maestro Franz von Stresemann and is attending the school as head of the conducting department. Chiaki, interested in changing his major to conducting, gets rejected by the new professor who is apparently at odds with Chiaki's former "teacher", Vieira.
With Stresemann knocked out cold, Nodame "convinces" Chiaki to be substitute conductor for the special orchestra. Chiaki agrees and finds out that the group he's conducting is out of synch. As the rehearsal falls apart, Stresemann takes over and demonstrates everything that Chiaki failed to do. Stresemann finally accepts Chiaki as his student but tells him to remain a piano major.
The S orchestra is to perform before the A orchestra at the upcoming concert. However, Stresemann takes "business" leave and Chiaki is forced to take his place conducting the S orchestra. In a twist of events, Stresemann quits the S orchestra and in revenge against Chiaki, plans to lead the A orchestra in humiliating the S orchestra at the concert. With the concert just a week away, Chiaki becomes the S orchestra's new conductor.
Chiaki is asked to leave the S orchestra to play the piano solo of Piano Concerto No. 2 by Sergei Rachmaninoff as requested by Stresseman for the A orchestra. It is revealed that Stresseman was asked by his ex-admired, a member of the academy's board of directors to instruct Chiaki in conducting.
Chiaki is asked to leave the S orchestra to play the piano solo of Piano Concerto No. 2 by Sergei Rachmaninoff as requested by Stresseman for the A orchestra. It is revealed that Stresseman was asked by his ex-admired, a member of the academy's board of directors to instruct Chiaki in conducting.
Stresseman sends Chiaki, Nodame, Mine, and Masumi to a musical festival where each takes lessons from famous musicians in order to better their playing. An unprepared Mine is quickly overwhelmed by the many talented musicians there. Meanwhile, Chiaki is ordered to look out for Stresemann and thanks to Stresemann's hangover, is also made to conduct an orchestra and Nodame is yelled at by the festival director, Nina Lutz, for not having motivation.
The school festival is here and the S Orchestra is to perform without the aid of Chiaki, who is busy practicing with the A Orchestra with their performance. Chiaki discovers what was missing from his playing courtesy of the S Orchestra, but Stresemann tells him to disregard it for their upcoming performance after insisting on it throughout all his practices.
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